Trouble caused by politics , religion and Algeria

Cinema critics from the world mainly from north of Africa are still waiting the release of the movie narrating life of Amir Abdelkadder,stated as an icon of Algerian revolution. It is not about finding budget nor it is a governement will , may be it is propaganda fabricated by Al Moradia official responsibles: Arts and sports become a key in the hands of Algerian military just to attack Morocco . The élite of Algerian soldiers has strategy to be competitive with neighboring countries especially Morocco whose soft diplomacy become more influential and powerful.The world laughs hysterically when it knows that the The incident involving Renaissance de Berkane and USM Alger during the CAF Confederation Cup semi-final match highlights the intersection of sports and political tensions, reflecting deeper regional complexities .So, it is all about a simple football team called Nahdat Barkan scanned in its tee-shirt the full map of Morocco ; this fact traumatizes the militay in Algeria .This map becomes horror and also a nightmare to Algerian soldiers,says one of the fans of Nahadate Berkane in Morocco. Moroccan official diplomats still go on their soft power of diplomacy while Algerians stick to their constipated minds to create more nasty plots against Morocco.

Kenza Fridou in Aicha

Trained theatrically by Abdelmajid Fenniche in a millennium city called Salé;kenza still loves theatre and goes taking tremendous risks to meet simple Moroccan youth in Morocco. This female called Kenza literary meaning treasure in Arabic, she moves benignly wears Moroccan high class Kaftans and puts in her face human and warm smile that no other actress has .Her name is Kenza Friddou ,first script –girl in the history of Moroccan cinema; and she would love to play mysterious roles like Aicha kandicha,Mi zhor , lady Macbeth , the smiling lady at Douwar Micca in Salé and strange lady playing with Ahmed Tahcfine's movies,Shimi's adapted play in Oujaa Trab, and the witch- dancer in "The Will" by Allal El Alaoui" Kenza Friddou is a popular lady who is a playwright, pop-art singer ,and good actress. She is keen to help in the sets of cinematic scenes where she performs her role with great honesty and devotion. She helps film makers and stage directors either in make –ups or script-techniques.kenza is now purchasing theatre-goers by making a tour around Moroccan towns ,villages and cities via

Moroccan Youtubers use archives to escalate conflict

Both Moroccans and Algerian generally focus on glorifying their countries via cinematic videos , images and and swearing words . Alegerians have been supporting polisario since 1975 and been hostile to lambasting alleged “enemies” like France, the US, Israel, and above all, Morocco. Any country deem hostile to Algeria, from France to the UAE, is fair game for criticism, adds the report.critics are waiting to see a movie of Amir Abdelkader supposed to be the "icon" of Algeria resistance . Manar Slimi,Abdelhak Snaibi and Abdelaffath Naoum are youtube analysers who make history over conflict between Morocco and Algeria.thanks to them,people in Morocco dig deep in their history and know much better their culture. Meanwhile,on the side Algerians identify themselves through Moroocan history;notices a youtuber .

Arabs victims of Hollywood

By Jack Shaheen Reel Bad Arabs: How Hollywood Vilifies a People is a groundbreaking book that dissects a slanderous history dating from cinema's earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs. Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood's shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of nearly one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1-brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood's defamation of Arabs. Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood's shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of nearly one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1-brutal, heartless, uncivilized Others bent on terrorizing

Moroccans prisoners of the Cinematic cave

We Moroccans are new to visual and cinematic culture, and when we go to cinema halls, we are like prisoners of the Platonic cave who were forced to remain silent in front of the shadow shadow reflected by the wall screen. We may be struck by the light and imagination of the screen inside the dark cinema hall, just as our fate would be if we left the hall and it was exposed. Our eyes are blinded by the light of reality. The biggest problem posed by the history of cinema is its relationship with reality. The movement of images gives the impression that we are facing a living and real reality. Christian Metz, a cinema semiology theorist, says: “The impression of reality” as raised by cinema transforms the system of représentation into a direction of more active reception of unconscious desire.

Rania in Aicha by Sanaa El Alaoui

Sanaa El Alaoui; the director of the short fikm called Aicha will invite Rania as a second role mainly playing in the publicity of her film . the director will work good crew from Morocco and Poland .

Crew of Aicha by Sanaa El Alaoui

Sanaa will tackle a controversail matter in her short film called Aicha . Sanaa is inspired by the story of Amila Filali a Moroccan girl born in the city of Larache. She was 16 years old when she committed suicide by consuming rat poison in 2012, after she was forced to marry her rapist in accordance with Article 475 of Moroccan law, which allows the rapist to avoid prosecution by marrying his victim. This incident drew a lot of attention to Moroccan law, and many citizens expressed their desire to change the law. Local human rights groups also called for the repeal of Article 475 of Moroccan law, which criminalizes rape but prevents prosecution if the rapist agrees to marry her. His victim. Two years after the suicide, Parliament decided to abolish Article 475; It was actually canceled in 2014.